Monday, October 18, 2010

The Big Penis Book

The Big Penis Book Review



Bought this on a whim, and was very surprised that this book actually has a good deal of quality and historical content which is what I was looking for. Written in three languages it presents the historical direction of a good many "Male Photographers" whom we have all (in gay land)crossed paths with if we realize it or not. The "Prize" on the cover is just a cheep trick to get the reader, and yes there is a good deal to read, to open the cover and in my case skip over the pictures for text, and have an interesting exploration of the men who offered them selves for service of the photographer. The only disappointment is that the ending about the men who worked was not more extensive.



The Big Penis Book Feature


  • ISBN13: 9783836502139
  • Condition: USED - Very Good
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed



The Big Penis Book Overview


When it comes to pleasure, size doesn't matter; as we all know it s quality, not quantity, that counts. But let's admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 cm) making up less than 2% of the world's population, this rare accessory will always fascinate.

In The Big Penis Book we explore the centuries-old fascination with the large phallus, a fascination common to men and women alike. This hefty book is profusely illustrated with over 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isn t enough, the book closes with a special surprise comparable to the Guinness Book of Records Norma Stitz featured in The Big Book of Breasts! Can you guess what body part Dian is dissecting next?





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Sunday, October 17, 2010

Acts (Life Lessons)

Acts (Life Lessons) Review



Max Lucado is a clear writer and teacher and in this "life lessons" study has provided a very basic guided devotion of the book of acts. There are a total of 12 lessons to cover the entire book, so as you might expect the study does not cover all of acts. Instead, the study covers major events and takes the reader through each event with a semi-guided reflection. Each lesson has the following elements:

Reflection - a short intro to the theme of the study
Situation - a short context for the scripture reading
Observation - the scripture reading from the ncv and Ning
Exploration - a few questions to help the reader think about the passage
Inspiration - notes from Lucado about the theme; these are often from one of his previous books
Reaction - questions to help the reader apply the lesson
Life lessons - Lucado's take away from the lesson
Devotion - a prayer

The bible study is enjoyable but a little basic. If you were looking for more of a commentary you will want to look elsewhere. For something to add to your morning devotions that will not take a lot of additional time this is great.




Acts (Life Lessons) Overview


Revised and updated, the Lucado Life Lessons series takes the participant on a journey through the Bible, book by book. Inquisitive questions, "Keys to the Text" feature, and new material compose this useful and concise tool from renowned Bible teacher and pastor Max Lucado.





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Saturday, October 16, 2010

The Possessed: Adventures with Russian Books and the People Who Read Them

The Possessed: Adventures with Russian Books and the People Who Read Them Review



A collection of essays on Russian literature that is both funny and learned by an academic who writes very well. Excellent short discussion of Anna Karenina, The Possessed (hence the title although it is also about those who get possessed by Russian literature and by the study of language as language) and Isaac Babel with a side trip to Samarkand which seems to have become one of the least romantic and dreariest places on the old Silk Road.

Her description of academic conferences in ...more A collection of essays on Russian literature that is both funny and learned by an academic who writes very well. Excellent short discussion of Anna Karenina, The Possessed (hence the title although it is also about those who get possessed by Russian literature and by the study of language as language) and Isaac Babel with a side trip to Samarkand which seems to have become one of the least romantic and dreariest places on the old Silk Road.

Her description of academic conferences in St. Petersburg and Berkley are both high and low points of the book. High points because they are funny as hell, low because almost everyone at both places seem ridiculous. The Babel meeting in California is full of absurdities--the Hoover Institution is co-sponsoring it and they would really like to have some three dimensional objects as part of the show--a fake fur hat that looks like something a Russian would wear or a Cossack costume that was probably picked up at a Halloween shop going out of business sale.



The Possessed: Adventures with Russian Books and the People Who Read Them Feature


  • ISBN13: 9780374532185
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed



The Possessed: Adventures with Russian Books and the People Who Read Them Overview


THE TRUE BUT UNLIKELY STORIES OF LIVES DEVOTED—ABSURDLY! MELANCHOLICALLY! BEAUTIFULLY!—TO THE RUSSIAN CLASSICS

No one who read Elif Batuman’s first article (in the journal n+1) will ever forget it. “Babel in California” told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel’s last living relatives at the San Francisco airport, uncover Babel’s secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature.

Batuman’s subsequent pieces—for The New Yorker, Harper’s Magazine, and the London Review of Books— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy’s ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin’s wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.

Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.






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Adobe After Effects CS5 Classroom in a Book

Adobe After Effects CS5 Classroom in a Book Review



While some software guides focused on a new product simply add a few new sections to reflect upgrades, this book has been thoroughly rewritten and could easily stand alone as a solid introduction to After Effects. As you would expect in a guide published by Adobe, this "official training workbook" has been revised completely to reflect what's new in Adobe After Effects CS5. It begins with the basics, but includes chapters on the new rotobrush, on color correction with the new Synthetic Aperture Color Finesse 3 plugin, on building 3d objects within After Effects, and on using mocha to track motion. So this would be a nice refresher for those who haven't used After Effects in a while, and a great introduction for those who are just starting out with After Effects now. For a more thorough introduction to some of the basic features of After Effects, it would be good to supplement this with After Effects Apprentice.

I like that the book opens up by having you complete some actual animations before it really gets into the technical details of how to set up a workspace and the like. They do a nice job throughout of balancing introductions to the magic of After Effects with delivery of the nitty gritty details you have to know to make it work properly. They also do a very good job introducing the reader to "best practices" - ways of doing things that keep your workspace clean and well organized, and make it easy to find what you need. Occasionally they leave out things that will be obvious to those who've worked with AE before but might confuse newcomers - for example when they first have the reader work on a motion path, they assume it will be visible, but don't mention that if it isn't by default you need to click on the button in the Comp panel to make it visible.

The approach the authors take in this book is mostly just to lead the reader through creating several ready-made projects (whose basic elements have already been created, and are available on the included dvd) that will introduce them to a range of possible tweaks and procedures and effects. There isn't always as much explanation as I'd have liked - and sometimes it feels like following a recipe, that simply says "do this, and then that" and doesn't always explain the whys of each step, or what would happen if things were done differently. The main advantage of this approach is that it allows a beginner to see quickly some of the many things that can be done with After Effects. The disadvantage is that after going through things this quickly, the reader would not be very well prepared to apply similar effects in different projects without guidance. (This was especially evident in the Puppet Warp chapter, where they had the reader animate a cartoon character using the Puppet Warp tool, but instead of leading readers through the qualitative process of figuring out how to animate the character they just gave numbers for the positions of each body part at different times - so it was really a matter of just typing in lots of numbers rather than learning how to make it work and look right.) I think it would be stronger if they gave more exercises designed to help the reader put what they've learned into practice on projects that had more flexibility; in that sense, this guide is not as strong as After Effects Apprentice.

At the same time, for someone new to After Effects with CS5, I think this would be a very good introduction, because it does lead the reader through not only the standard skills you need to work with After Effects effectively, but also through several of its newest features, something that you wouldn't get from, say, After Effects Apprentice. In fact, if it could be managed, I'd suggest that an ideal beginner's course in After Effects CS5 would begin with this book as a way of getting into the program, and getting exposure to the range of its features, and then following that up with After Effects Apprentice to get a more in depth and flexible, practical introduction to the basics. For those who already have some experience with After Effects and want a refresher course, or for those who are just getting started with After Effects CS5 and want a fast introduction to what is possible, this book alone might not be a bad way to go. There are several things I learned from working through this book even though I've had some experience working with After Effects, and have worked through a few other books and several tutorials. The new material that addresses After Effects CS5 comes in chapters 9 and beyond, addressing the Roto Brush, the advanced color correction possible with Synthetic Aperture Color Finesse 3, the latest 3d and advanced tracking possibilities.



Adobe After Effects CS5 Classroom in a Book Feature


  • ISBN13: 9780321704498
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed



Adobe After Effects CS5 Classroom in a Book Overview


Those creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe After Effects CS5 choose Adobe After Effects CS5 Classroom in a Book from the Adobe Creative Team at Adobe Press. The 14 project-based lessons in this book show readers step-by-step the key techniques for working in After Effects CS5 and how to work efficiently and deliver in the widest possible range of media types. In addition to learning the key elements of the After Effects interface, this completely revised CS5 edition covers 64-bit performance; new Mocha, Color Finesse 3, and Digieffects FreeForm plug-ins; Roto Brush; AVC-Intra and expanded RED camera support; and more.

“The Classroom in a Book series is by far the best training material on the market. Everything you need to master the software is included: clear explanations of each lesson, step-by-step instructions, and the project files for the students.” —Barbara Binder, Adobe Certified Instructor, Rocky Mountain Training

Classroom in a Book®, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.






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Thursday, October 14, 2010

The Real Book: Sixth Edition

The Real Book: Sixth Edition Review



I bought all three volumes of this series. I like the hefty comb binding that lies flat on the music stand. The printing is large enough and simple enough to be read easily, even in slightly dimmed light. There is plenty of room to add one's own notes. There are some streamlined performance notes. I appreciate the index in the front. It has a variety of songs from the most revered jazz classics to some popular numbers. Still, the series does not have ALL the songs ever written during the jazz and swing era. That doesn't seem humanly possible, so I didn't expect it.

BUT somehow I got it in my head that it had the words. Guess I was wrong. No words. This is not a huge deal because the words are pretty easy to get on the Internet whereas the tunes are not. Still, I wish the words were included. There is enough room on most of the pages, as they stand, that the words could have been included. As I collect the words I will hand print them under the staffs. Lack of words is the only reason I did not give all 5 stars.



The Real Book: Sixth Edition Feature


  • Songlist:
  • 'Round Midnight
  • (I Love You) For Sentimental Reasons
  • (Old Man From) The Old Country
  • 500 Miles High



The Real Book: Sixth Edition Overview


The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You and your customers won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician and music store owner will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs, including: All Blues * Au Privave * Autumn Leaves (Les Feuilles Mortes) * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon * I'll Remember April * Impressions * Lullaby of Birdland * Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and more!





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Wednesday, October 13, 2010

The Little Book of Sideways Markets: How to Make Money in Markets that Go Nowhere (Little Books. Big Profits)

The Little Book of Sideways Markets: How to Make Money in Markets that Go Nowhere (Little Books. Big Profits) Review






The Little Book of Sideways Markets: How to Make Money in Markets that Go Nowhere (Little Books. Big Profits) Overview


Contrary to popular opinion, markets rarely experience significant periods down; half of the time they do rise but the other half of the time they go nowhere - trading seemingly mindlessly in a range with quick ups and breathtaking downs, only to come back to where they were. These periods last far too long to just buy and hold, since that kind of a strategy leads to 0 returns or worse. What's an investor to do when you have to save for college educations and retirement but the markets are going nowhere?
Vitaliy Katsenelson has the answer: a value investing strategy with a focus on when to sell will get you through the whipsaws of sideways markets and coming out well ahead. Vitaliy clearly explains the market cycles and then provides you with a simple strategy that Tevya the Milkman uses to invest that follows three simple rules for quality, growth, and value. Katsenelson also marks the traps and pitfalls that lay in wait so you can avoid them and take a look over the horizon at the oncoming crises in Japan and China. Sideways markets aren't as fun as bull markets but once you understand how to make money in them, much like turning lemons into lemonade, you'll find your portfolio grows nicely even when the market is stalled.





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Un, Deux, Trois: First French Rhymes (Book & CD)

Un, Deux, Trois: First French Rhymes (Book & CD) Review



I have only one child so far and I try to speak only French to him during the day. Sometimes it's hard to think of things to talk about, especially since he's only 8 months old and can't talk back! So, we listen to this CD of songs and rhymes and it's fun to sing along with them for the baby. Once I turn it on, he perks up and smiles. I can bounce him on my knees while we listen. Although it is only audio, it keeps him entertained for longer than any kids show we've watched so far. Then, even when we're not home, I can sing him the songs or chant the rhymes. They're easy to learn and memorize. I also like how the songs cover lots of types of animals, numbers, days of the week and some letters. I'm really glad I bought it!



Un, Deux, Trois: First French Rhymes (Book & CD) Feature


  • ISBN13: 9781845076238
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed



Un, Deux, Trois: First French Rhymes (Book & CD) Overview


Simple songs and rhymes are an excellent way to familiarize young children with another language. Un, Deux, Trois, a collection of 25 traditional nursery rhymes, is a delightful way to introduce French. An illustrated vocabulary features simple words and phrases that are easy to learn and that can be used in games or everyday life. Children are encouraged to repeat the phrases and sing along with the rhymes, and the included CD lets them know how both should sound. The lively illustrations and amusing rhymes make learning a new language fun. A guide for parents translates more difficult phrases.






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